Cultural Interlude


Not to much longer than four years ago, my dad embarked on a process designed to fulfil a long held desire. He would apply his talent at drawing and art to training and practice with the result that he would become an artist. Even his earliest paintings were stunning and the obvious talent displayed in his work carried through into his paintings even before he had developed his more technical skills.

I have one of his more recent works here. As usual, I have no idea what the title is so I am calling it “Shelter Bay from Behind the Snowy Evergreen” by Richard Tomkinson Dec 2006.Richard Tomkinson

Untitled Forest Floor / Richard Tomkinson

Preseted for you here are paintings from the Skagit Valley Washington painter Richard Tomkinson. Le lives in La Connor WA and I have featured his work on this website before (look under topic section “Cultural Interlude” in the sidebar.

This Painting was recently gifted to us for display in our home and pictures a forest floor scene.

Blogged with Flock

A Forest Scene / Richard Tomkinson

Blogged with Flock

“Shakespeare is buried
in the chancel of Holy Trinity Church in his hometown of Stratford,
Warwickshire. His gravestone bears an epitaph which Shakespeare himself
supposedly wrote. It warns:”

Good friend for Jesus sake forbeare,

To dig the dust enclosed here.

Blessed be the man that spares these stones,

And cursed be he that moves my bones.

Blogged with Flock

I am chilled to the bone. My gooseflesh is so bad I have to tell you what it is called in German: Geizenfleisch, yup, Geizenfleisch. I am just that wigged out.

I have just seen this video on www.youtube.com. The video can not be embedded here by the request of the author or I would have just stuck it in this post but you all have to see it. ALL OF YOU! IN FULL SCREEN MODE. I am serious people. Watch it RIGHT till the end.

The Cremation of Sam McGee is one of the family poems / pieces or writing like that of Kipling or Wm. E. Henley we read at family gatherings and remember our parents, grandparents and good times we all have shared. It is a comfort to share some of these year after year and a topic of constant explanation to guests.

The video I am referencing here is of a man skillfully reciting the Robert Service Classic The Creation of Sam McGee in a slow, erie and deeply personal way. I applaud him for his artistry. See the video! Here then, so that you all can read along, is the text. Robert Service

There are strange things done in the midnight sun
By the men who moil for gold;
The Arctic trails have their secret tales
That would make your blood run cold;
The Northern Lights have seen queer sights,
But the queerest they ever did see
Was that night on the marge of Lake Lebarge
I cremated Sam McGee.

Now Sam McGee was from Tennessee, where the cotton blooms and blows.
Why he left his home in the South to roam ’round the Pole, God only knows.
He was always cold, but the land of gold seemed to hold him like a spell;
Though he’d often say in his homely way that he’d “sooner live in hell”.

On a Christmas Day we were mushing our way over the Dawson trail.
Talk of your cold! through the parka’s fold it stabbed like a driven nail.
If our eyes we’d close, then the lashes froze till sometimes we couldn’t see;
It wasn’t much fun, but the only one to whimper was Sam McGee.

And that very night, as we lay packed tight in our robes beneath the snow,
And the dogs were fed, and the stars o’erhead were dancing heel and toe,
He turned to me, and “Cap,” says he, “I’ll cash in this trip, I guess;
And if I do, I’m asking that you won’t refuse my last request.”

Well, he seemed so low that I couldn’t say no; then he says with a sort of moan:
“It’s the cursed cold, and it’s got right hold till I’m chilled clean through to the bone.
Yet ’tain’t being dead — it’s my awful dread of the icy grave that pains;
So I want you to swear that, foul or fair, you’ll cremate my last remains.”

A pal’s last need is a thing to heed, so I swore I would not fail;
And we started on at the streak of dawn; but God! he looked ghastly pale.
He crouched on the sleigh, and he raved all day of his home in Tennessee;
And before nightfall a corpse was all that was left of Sam McGee.

There wasn’t a breath in that land of death, and I hurried, horror-driven,
With a corpse half hid that I couldn’t get rid, because of a promise given;
It was lashed to the sleigh, and it seemed to say:
“You may tax your brawn and brains,
But you promised true, and it’s up to you to cremate those last remains.”

Now a promise made is a debt unpaid, and the trail has its own stern code.
In the days to come, though my lips were dumb, in my heart how I cursed that load.
In the long, long night, by the lone firelight, while the huskies, round in a ring,
Howled out their woes to the homeless snows — O God! how I loathed the thing.

And every day that quiet clay seemed to heavy and heavier grow;
And on I went, though the dogs were spent and the grub was getting low;
The trail was bad, and I felt half mad, but I swore I would not give in;
And I’d often sing to the hateful thing, and it hearkened with a grin.

Till I came to the marge of Lake Lebarge, and a derelict there lay;
It was jammed in the ice, but I saw in a trice it was called the “Alice May”.
And I looked at it, and I thought a bit, and I looked at my frozen chum;
Then “Here,” said I, with a sudden cry, “is my cre-ma-tor-eum.”

Some planks I tore from the cabin floor, and I lit the boiler fire;
Some coal I found that was lying around, and I heaped the fuel higher;
The flames just soared, and the furnace roared — such a blaze you seldom see;
And I burrowed a hole in the glowing coal, and I stuffed in Sam McGee.

Then I made a hike, for I didn’t like to hear him sizzle so;
And the heavens scowled, and the huskies howled, and the wind began to blow.
It was icy cold, but the hot sweat rolled down my cheeks, and I don’t know why;
And the greasy smoke in an inky cloak went streaking down the sky.

I do not know how long in the snow I wrestled with grisly fear;
But the stars came out and they danced about ere again I ventured near;
I was sick with dread, but I bravely said: “I’ll just take a peep inside.
I guess he’s cooked, and it’s time I looked”; . . . then the door I opened wide.

And there sat Sam, looking cool and calm, in the heart of the furnace roar;
And he wore a smile you could see a mile, and he said: “Please close that door.
It’s fine in here, but I greatly fear you’ll let in the cold and storm –
Since I left Plumtree, down in Tennessee, it’s the first time I’ve been warm.”

There are strange things done in the midnight sun
By the men who moil for gold;
The Arctic trails have their secret tales
That would make your blood run cold;
The Northern Lights have seen queer sights,
But the queerest they ever did see
Was that night on the marge of Lake Lebarge
I cremated Sam McGee.

With then Canadian Prime Minister William Lyon Mackenzie King in 1944 in Ottawa promoting the Canadian War Drive.

I happened upon a question; “What ever happened to Shirley Temple, after she was no longer a child star?” All I had ever known from her was her iconic appearances as a dolled up child. Surely (Shirley) she had an adult life?

She did. In the photo she assisting Canadian Prime Minister Lyon Mackenzie King promote for volunteers for the Second World War. As Wikipedia quotes:

(Shirley Temple Black) subsequently became involved in Republican Party politics,
unsuccessfully entering a Congressional race in 1967 on a pro-war
platform. She went on to hold several diplomatic posts, serving as America’s
delegate to many international conferences and summits. She was appointed
American ambassador to Ghana (1974–76). In 1976, she became
the first female Chief of Protocol of the United
States which put in her charge of all State
Department ceremonies, visits, gifts to foreign leaders and co-ordination
of protocol issues with all US
embassies and consulates. She was ambassador to Czechoslovakia
(1989–92) and witnessed the Velvet
Revolution, about which she commented, “That was the
best job I ever had.” In 1987 she was designated the first Honorary Foreign Service
Officer in US
history by then US
Secretary of State, George Schultz.

I am glad to have learned that. Aren’t you?

Plus, she looks so hot (and a little like Breebop) with the Prime Minister.






Vladimir Ezhakov "Morning"

Originally uploaded by Will_Tom.

My Bree en Rose is a beautiful reminder each day on why love should be an important part of everyone’s life.

La Vie En Rose

Des yeux qui font baisser les miens,
Un rire qui se perd sur sa bouche,
Voil� le portrait sans retouche
De l’homme auquel j’appartiens

Quand il me prend dans ses bras
Il me parle tout bas,
Je vois la vie en rose.

Il me dit des mots d’amour,
Des mots de tous les jours,
Et �a me fait quelque chose.

Il est entr� dans mon coeur
Une part de bonheur
Dont je connais la cause.

C’est lui pour moi. Moi pour lui
Dans la vie,
Il me l’a dit, l’a jur� pour la vie.

Et d�s que je l’aper�ois
Alors je sens en moi
Mon coeur qui bat

Des nuits d’amour � plus finir
Un grand bonheur qui prend sa place
Les ennuis les chagrins s’effacent
Heureux, heureux � en mourir.

Quand il me prend dans ses bras
Il me parle tout bas,
Je vois la vie en rose.

Il me dit des mots d’amour,
Des mots de tous les jours,
Et �a me fait quelque chose.

Il est entr� dans mon coeur
Une part de bonheur
Dont je connais la cause.

C’est toi pour moi. Moi pour toi
Dans la vie,
Il me l’a dit, l’a jur� pour la vie.

Et d�s que je l’aper�ois
Alors je sens en moi
Mon coeur qui bat

As sung by Edith Piaf




Wagner painting

Originally uploaded by Will_Tom.

Some of you may have seen the photo of Wagner (the wunderhund)after he had experimented oil paints. Now you see him again!

This time Bree was leading a child’s art activity and chose a favorite subject for the Opus Caninus.

Here he is In an original work by Briana Doyle in tempura. I think it remeniscent of a Tintin cartoon.

Jocelyn has chided me saying “Why do you post poetry that is not your own? Rather you post poems by others. It is their words that ornament the paintings you post and not your own and yet you also have words.”

Well, the intent of her comment was the same if not the actual phraseology. I response to her (and what brother could refuse a younger sister, really?) I post here Not My Worst Poem by William Tomkinson. It is actually called Monument and it is inspired by reading a book of poetry by Montreal writer Louis Dudek.

Approach now and read for these are my words:

Monuments

Monuments are puzzles
That try to convince
That there was past civic energy
Industriousness, equity
In that they raised these Colossus’.

Find me one then
Uncorrupted by
Flattery, vain blood,
Fatal power, or oppressive
Fervent religion.

Or that are born of wealth
And for that are
Boasts of stone and steel
Patron and pomp to chiseling artists,
Now nothing in our minds.

So many plinths and pillars
A congealing scab
over the wounds of war
Garlands of grief
Like and Arch Triumphant

Still, struck still am I
By a limestone edifice
Standing in beauty
And making a mockery
Of the crumbled bones of its builder.

William Tomkinson 2000 (ish)




Daud Akhriev "Tuscan Field"

Originally uploaded by Will_Tom.

A painting, a poem.

High Flight

Oh, I have slippped the surly bonds of earth
And danced the skies on laughter-silvered wings;
Sunward I’ve climbed, and joined the tumbling mirth
Of sun-split clouds - and done a hundred things
You have not dreamed of - wheeled and soared and swung
High in the sunlit silence. Hov’ring there.
I’ve chased the shouting wind along, and flung
Up, up the long, delirious, burning blue
I’ve topped the windswept heights with easy grace
Where never lark, or even eagle flew.
And, while with silent, lifting mind I’ve trod
The high untresspassed sanctity of space
Put out my hand, and touched the face of God.

Pilot Officer John G. McGee, Jr.

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